Like anything else, watercolor is a discipline that requires practice and patience. Practice, because in the beginning people get frustrated and quit when this is nothing like oil or acrylic. Patience because it's all about timing the layers of paint, not using too much or too little water, and letting the picture paint itself. There's a lot of technique involved, but the thing that makes watercolor look fresh and natural is the fact that the artist is not controlling the medium. For example, once I learned to sit back and let a sky paint itself, my skies took off. Once I learned to not "paint" clouds, waves, leaves, hair, but to let them happen on their own through the drying process of a few well placed strokes, things got looser and much less deliberate.
Watercolor is about timing. For example, before I can go to the next layer of paint, or paint an area adjacent to the one I just worked on, I need to dry that original area. Watercolor on a recently painted area will have a "blooming" effect that you may or may not want. In other words, it waters down the paint you just put down rather than layering. I use a blow dryer and a paper towel all the time. I can finish just about any painting I work on in three hours.
I go to Richland College in Richardson Texas every Wednesday night to Wallace Hughes's class. Wallace is a local artist, and most of what I have learned about painting I learned from him. What I like about his class is we don't learn the "Wallace Hughes Method of Watercolor", we learn our own method. Everybody in the class has a very distinctive style. I can tell by looking at a painting whose it is. One of my classmates and I attended a meeting of the Southwest Watercolor Society a year ago, and I asked him to pick out my painting in the monthly contest. These were paintings of about thirty watercolorists (not our classmates) with their signatures covered with sticky notes. Without the slightest hint he guessed mine on the first try.
I love to enter contests. Sometimes I place, sometimes I don't, but just getting my items on display and listening to the comments while remaining incognito in the crowd is fun. I've been in a few art sales, but have found the Texas heat to be prohibitive. Since I have a day job, I don't think I'm hungry enough to sacrifice my weekends for what might not result in a profitable pastime. For the better known and publicized art shows, you have to have a booth with walls to hang your work. If this is a three day gig, you are looking at booth installation, taking your pieces down at night in case of rain, having a place to store them at night, and a hefty enrollment fee in the $350+ range. Some shows require that you be approved by a committee that will look at your work on slides including a slide of your work up in your booth. So you have to buy a booth, set it up, and take a picture of your work hanging in it just to be vetted. Don't think you want to build your own? $525 starting price. Need help installing (you are an artist after all)? That's another $100. So for $1,000, I might get to be in a show where I can sell a few nice paintings for $200 each. Contests are great. $15 entry fee, drop it off at the library conference room, and show up at the award ceremony to eat really nice party food and maybe wine and cheese!
The key is to keep this as a hobby. I do give away prints of some of my artwork as corporate gifts. This doesn't require a lot of fancy print work (although you always could go that route if you wanted.) I take my paintings to FedEx Kinko's, slap it on the color copier, reduce it to 75%, and print up as many as I want. I get my mats online at http://www.stu-artsupplies.com/ and clear envelopes at http://www.clearenvelopes.com/. So far, these have been well received. Way better than company pens or slick brochures.
Watercolor is about timing. For example, before I can go to the next layer of paint, or paint an area adjacent to the one I just worked on, I need to dry that original area. Watercolor on a recently painted area will have a "blooming" effect that you may or may not want. In other words, it waters down the paint you just put down rather than layering. I use a blow dryer and a paper towel all the time. I can finish just about any painting I work on in three hours.
I go to Richland College in Richardson Texas every Wednesday night to Wallace Hughes's class. Wallace is a local artist, and most of what I have learned about painting I learned from him. What I like about his class is we don't learn the "Wallace Hughes Method of Watercolor", we learn our own method. Everybody in the class has a very distinctive style. I can tell by looking at a painting whose it is. One of my classmates and I attended a meeting of the Southwest Watercolor Society a year ago, and I asked him to pick out my painting in the monthly contest. These were paintings of about thirty watercolorists (not our classmates) with their signatures covered with sticky notes. Without the slightest hint he guessed mine on the first try.
I love to enter contests. Sometimes I place, sometimes I don't, but just getting my items on display and listening to the comments while remaining incognito in the crowd is fun. I've been in a few art sales, but have found the Texas heat to be prohibitive. Since I have a day job, I don't think I'm hungry enough to sacrifice my weekends for what might not result in a profitable pastime. For the better known and publicized art shows, you have to have a booth with walls to hang your work. If this is a three day gig, you are looking at booth installation, taking your pieces down at night in case of rain, having a place to store them at night, and a hefty enrollment fee in the $350+ range. Some shows require that you be approved by a committee that will look at your work on slides including a slide of your work up in your booth. So you have to buy a booth, set it up, and take a picture of your work hanging in it just to be vetted. Don't think you want to build your own? $525 starting price. Need help installing (you are an artist after all)? That's another $100. So for $1,000, I might get to be in a show where I can sell a few nice paintings for $200 each. Contests are great. $15 entry fee, drop it off at the library conference room, and show up at the award ceremony to eat really nice party food and maybe wine and cheese!
The key is to keep this as a hobby. I do give away prints of some of my artwork as corporate gifts. This doesn't require a lot of fancy print work (although you always could go that route if you wanted.) I take my paintings to FedEx Kinko's, slap it on the color copier, reduce it to 75%, and print up as many as I want. I get my mats online at http://www.stu-artsupplies.com/ and clear envelopes at http://www.clearenvelopes.com/. So far, these have been well received. Way better than company pens or slick brochures.
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