Wednesday, May 6, 2015
Sunday, June 16, 2013
Lots of Contests and Shows Make for a Great Year
Saturday, November 26, 2011
New Phases in An Artists Life
The phases consist of areas of concentration that an artist is focusing on. This year I've had two: Movie posters and horse paintings. Both of them are fun and rewarding, and allow me to really grow. The theory goes that in order to excel at a certain genre, you have to paint that particular subject three times. The other is that it requires 10,000 hours to excel. Hey, I'll go with the three paintings. Who has 10,000 hours to do anything?
MOVIE POSTERS
The first one is the movie posters. I started by doing existing movies posters, like the Good The Bad and the Ugly on a two foot by three foot sheet. I searched around on Google images to find the poster that jumped out at me. Believe me, you will know the one that speaks to you when you see it. It has to be an image you want to spend at least 12 hours with, and although I don't like the movie (way to slow and too little dialog), I could look at these guys all day. I also learned pitfalls with going for large subjects. Keep this in mind: you will not have a way to stretch it on a backing. So you want to pick focal points that won't take forever, and a background that you can speed through in order to NOT waterlog your paper. All these are watercolors. If you waterlog a huge piece of paper, your whole thing will be warped and not look good even pinned down by the mat. You may also have limited acccess to an area. I had to do Van Cleef standing up to reach his part of the paper because he was so high up. Here's another trick, use Indian ink for your background. I found that it covers it usually in one application and doesn't warp much. Remember, without a backing, you only have so many times to hit it with the wet brush before the paper goes all accordian on you. Black ink makes that foreground really pop. Cool 3-D effect. I started off masking any area that was going to stay perfectly white, especially the highlights on the hats and the whites of the eyes. Doing three faces back to back, I figured out that you want to go as far as you can with the burnt sienna (reddish brown) as a complete portrait. Then add burnt unber (dark brown) as far as you can go, then erase using the magic eraser where you haven't left enough lightness or white for the highlights, then go back and with the burnt sienna and burnt umber. You don't do the black ink until everything else is done.
I made a boo boo by not leaving a highlight on Van Cleef's hat, which made it look different from the other two (to me anyway.) I taped off the edge with masking tape where I wanted the highlight to show up. Then I scrubbed it with a damp magic eraser. This is the greatest invention ever for a watercolorist, who used to be cursed to live with screw-ups like that for the life of the painting, since I we had was a little lightening of the color with a paper towel. Now we have the best of both worlds, even with staining colors like green! The movie poster "of Human Bondage" was an orginal I made up from a photo of one of the movie scenes. This is even more fun than doing an existing poster, because you get to make it look any way you want. Next I could do favorite book jackets. Whatever grabs me at the moment.
THE HORSE PHASE
The second phase was painting horses. Horses make incredible subjects but require TONS of detail work. This is something you can really get OCD with if you don't finally say "Good enough!" But they really come out looking just like the photograph if you dedicate a good bit of time. Here's what I do: I tape off the horse and rider. This frees me up to get nice and loose on the background. Then I would tape off a fence. What if the photo doesn't have a fence? Well, I find a fence a pretty way to do a background and just about the easiest. Just three strands of tape across the canvass and your have a fence! Do this AFTER you have taped off the horse and rider. It will be your middle ground.
Now you can go a little wild. Lots of great sky, trees in the background, a nice grassy lawn (remember, these are people with money for horses and landscaping) of course your fence needs some pretty shrubs and bushes behind it. Throw in some color. Not overly detailed, though. Your horse and rider are the focal point. Nothing should take the eye away from them at all. So leave out the details and dark shadows. This should take an hour or less. Do not leave the background until it can stand on it's own as a nice fuzzy landscape picture on it's own. Once the tape comes off, you cannot go back to it! If you find you must go back, retape at least the fence. That fence is left white.
Now we move on to the horse and rider once you remove the fence tape. Again, you're going to hang out with these two for about three days, so find a subject you LOVE to look at and won't get tired of. I guess with the horse thing, it's like an alter life I might have had if I could have handled being on a fast horse, and had the money for boarding, food, a horse, and lessons. That didn't happen, so I will do the vicarious thing. I don't doubt I'm a much better painter than I ever would have been a horsewoman.
With the horse, again, start out with the lighter color (either burnt sienna or burnt umber) put down a wash, dab off the highlights, and then add layers upon layers of darker paint. Lift as you go with paper towel if necessary. Then go with the darker color and go as far as you can with that. Then you want almost black. Mix a burnt umber and blue the shade of your sky to get a "black." I do not use Payne's grey. It's kind of a dead color. I do for the top hat and things like that, but that's all. See that tent in the background? Purely taped off. No paint on that except the stripes. Then I went with a double mat of the same white and black. I hadn't paid for framing in some years, but this one was really an exception. Here's my plug for Hobby Lobby: If you buy the frame and have them cut a mat there (you'll have to for these jumbo paintings), Hobby Lobby will frame it for you while you are in the store!
The neat thing is I've been commissioned to do a couple of paintings of family members. This will always be a hobby of course, but it's nice to actually have people think that I'm good enough to paint their family and friends. These frogs are not part of the two phases, but they did win in a rescent art who, and they COULD be a movie poster, don't you think?
Monday, October 4, 2010
Showing Off Your Hobby in Public


What I do is look for opportunities to practice my hobbies in public. Not in the classroom, not in front of my teacher, but in front of a real audience. There's lots of ways to go about this: enter contests, find a captive audience who will clap politely, or video whatever you are doing. Just knowing that it's being video will have the same effect. What's the point of doing it in public? To up your game. There is nothing to get your adrenalin involved like being in front of people for the newbie.
Sunday, August 29, 2010
Woven Paintings: Create a Special Painting from Two So-So Ones




Sunday, August 15, 2010
Portrait Painting





Monday, January 18, 2010
Tennis: Healthy Fun at Any Age

Thursday, December 31, 2009
I Found Mine Online. You Can Find Yours Online.

NOW HERE'S ME PLAYING THE PIANO (RECORDED) AND SINGING AND PLAYING GUITAR.
Saturday, December 26, 2009
Fingerpicking on the Guitar: A More Challenging Hobby

Sunday, December 13, 2009
You CAN Travel to Europe



Sunday, December 6, 2009
Pampering Yourself, Loving Yourself
Saturday, November 28, 2009
Never be Bored Again: Read

I wasn't a reader when I was growing up, but my parents were. I didn't read much until college, and then I became an English literature major. If you want your kids to read, you basically have to set the example of being a reader. My boyfriend's father was a house painter who never went to college, never went to high school. But he read voraciously all the classics he could buy. One son became a college professor and the other a geologist. I'm convinced that their father's example maximized their potential to succeed in school. They didn't have TV until they were older, so books were all his dad had to do for entertainment.
Here's my quick and easy ways to become a reader:
1. Never buy a book. The library has everything you want to read, and if your branch doesn't have it they can order it for you if you reserve it via the library website. If you buy a book, you might hate it, and then you will have wasted $7.99 and you might give up. If you must buy a book, they are .50 for paperback and $1.00 for hardbacks at the library. Half Price Books also has a $1.00 section because they get tens of thousands of books per week. If you must buy one, you can shop there.
2. Carry your book around with you everywhere. At some point in the day, you will have downtime. Whether it's the car wash, the treadmill, jury duty, the doctor's office, your in-laws, lunch alone, you are going to run the risk of getting really really bored. Use this time to learn something new, escape, or just be wildly entertained. They still make books on CD, and if you wind up totally hooked, you can check them out at the library and listen at your desk on your ear buds hooked into your laptop all day. They will think you are listening to music. You can get through two novels a week (unabridged). I can assure you, I would never have survived Bituminous for eleven years without doing so. This does not lessen your ability to do your job once you get used to it. In fact, it may very well enhance it.
3. Ask your reader friends what they like to read. You may already have a favorite genre, author, book on tape reader. Readers love to talk about their favorites and make recommendations. Just ask 'em.
Here's a few of my favorites based on genre:
Legal Thriller:
Scott Turrow's Personal Injuries*, Ordinary Heroes
Michael Connelly's The Brass Verdict
Drama:
Barbara Kingsolver's The Poisonwood Bible
Joci Picoult's My Sister's Keeper
Wally Lamb's I Know This Much is True*
Scott Smith's A Simple Plan
Larry McMurtry's The Last Picture Show*
Historical Fiction:
Kathryn Harrison's Poison*
Ron Hansen's Hitler's Neice
Horror: Stephen King's Misery and the following short stories, Rita Hayworth and the Shawshank Redemption, Apt Pupil, and The Body*
Mystery: Ruth Rendell's An Unkindness of Ravens Elizabeth George's Deception on His Mind
If you were one of those kids that said "Tell me a story" when you were a kid, reading nurtures that "inner child" who still wants to hear a great story.
*Exceptional on CD
Sunday, November 22, 2009
Sculpting Ceramic Roses: Beautify Your Pots Even More





A pot can be made unique and beautiful with stunning glazes, textures, shapes, and what I call "doo dads". Doo dads are things you attach to your pot, like roses, insects, frogs, snakes, angels, and animals. I've stuck everything on pots from elephants and dragonflies, to entire bouquets. My sculpting never involves anything but my hands and the clay. I've tried using cake decorating tools and all I can say is don't waste your money. All I ever got was frustration because the clay is either too wet to hold a shape once it comes out of the cone, or too dry to come through the cone. With a couple of hours of practice, doo dads can be whipped out as long as your clay has the correct level of moisture.
You can also teach children how to make roses, frogs and dragonflies on Play-Doh, polymer clay, or good old clay. Polymer clay doesn't require a kiln, but the downside is it's pricey. I spend less than $8.00 on 20 lbs of stoneware. One pound of polymer clay is $10.00 or more. That's enough to make a small coffee cup. There's actually shops out there that will fire your stoneware projects in a kiln for a fee.
Here's the quick and easy way I make certain doo dads using clay:
ANGEL: Flatten out a slab for the "robe" and form into a cone. Roll a ball for the head (don't make it too big) and attach to the top of the cone. Roll a ball and flatten it for the halo (it will be a little bit bigger than the head so it will stick up above it) and stick it on the back of the head. Roll bigger balls and flatten in your hands to make wings. Make sure they are of equal size. Attach to the back. Add some little arms and praying hands if you like. All attachments are done through "slipping and scoring", which means scoring (using a pin tool or a little knife) the pieces you wish to attach where you want them to touch, applying watered down clay as the glue (or slip) where you want them to touch, and the sticking them together. If you don't "slip and score" the wing or head WILL pop off in the firing.
FIREFLY: Roll out a fat worm for the body. Roll out four more worms, two about the same size as the body, two a little bit smaller. Flatten them between your hands to make two big wings and two smaller wings. Attach the big wings about the middle of the body, and the small wings a little further down using slipping and scoring (see ANGEL instructions.) Roll two small balls for the eyes. Flatten them out just a little bit and attach them to the top of the worm where the head is. You might want to poke some holes into the eyes to make pupils.
FROGS: Roll out a short fat worm for the body. Roll out two more short fat worms for the back legs. Pinch one end of each of the legs and attach them to back side of the frog and pinch them all together into a little butt. Roll two eyes, flatten them a little and attach them to the "head". Then poke two pupils into the eyes (using a pen or whatever you have.)
GRAPES: Roll a buch of little balls and stick them on your pot. Roll out a ball and flatten it in your hand to make a leaf. When I make a leaf, it fold it at the point so that it looks more like a leaf. Attach to the pot and stick a few grapes on top of the leaf where it contacts the pot.
For anybody that wants to make a few bucks on this hobby, doo dads can double or triple what you would normally sell a piece for. For example, I've knocked out round lasagna dish that would normally go for maybe $15. When I stuck a couple of roses on the sides for handles, it went to $50. A $10 coffee cup goes to $20 with a flower on it. Teapots require a ton of work, but you can't always recoup your time...unless your have some doo dads or flowers stuck to it. People pay quite a bit for the decorations that make it a one-of-a-kind. As you can see from the video, it ain't rocket science. And in my case, roses are easier to whip out than two really nice symmetric handles!! All it takes is a little practice. People will also pay quite a bit for a doo dad that speaks to them (e.g. their favorite collectible). Start finding your forte and perfecting it!
Sunday, November 15, 2009
Making Pillows Talk: Bargello and Embroidery
Thursday, November 5, 2009
Toastmasters: Going from Speechless to Silver Tongued

